Subbing The Subbing
2016 Made in Bangkok, Thailand
Work format: Video installation (Dimension variable)
Materials: 2 TVs
Introduction:
In Spain, there is a town inhabited by people with the surname Japón, which means Japan in Spanish.
400 years ago a group of Samurai traveled to Europe for some missions.
During their journey, Christianity was prohibited in Japan and some of the Samurais decided to remain to live in Spain to live as Christian. Those named Japón in the Spanish town today are regarded as possible descendants of the Samurai from history.
The work EL JAPONÉS aligns the artist himself as a “Japanese person who just came from Japan” and Mrs. Japón as a “descendant of historically the first migrant from Japan”.
The dialog itself looks like a simple praise of communication but the two juxtaposed "Japanese" people imply and ask different notions such as "nationality", "race" and "immigrant integration".
Special thanks: Mr. and Ms. Japóns whom I met in Coria del Rio
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2022 at Doubutsuen-mae Shopping street, Osaka, Japan / 动物园前商店街(大阪)/ 動物園前商店街(大阪)
Work format: Performance recorded with iphone screen recording / 苹果手机录屏 / iphone画面録画
Materials: tarpaulin / 防水布 / ターポリン(2000 x 3000 mm / 1750 x 1500 mm) , any monitor / 电视监视器 /モニター
Qenji Yoshida (よしだ毛んじ、ヨシダケンジ)
As an Artist:
Qenji Yoshida is an Osaka-based artist whose practice explores what it means to be together under conditions of difference, uncertainty, and partial understanding.
Raised between cultures — growing up with Japanese parents while sharing everyday life with an American roommate — he did not develop a stable sense of belonging to a single cultural framework. Instead, an ambiguous position “in-between” became a formative condition of his identity. This early experience continues to shape his work.
Working across conceptual art, performance, video, and text, his practice focuses on situations in which meaning does not fully align, where communication overlaps, diverges, or remains unresolved. Yoshida approaches misunderstanding not as a failure, but as a productive condition through which new forms of relation can emerge.
His projects often arise from encounters between people who do not share a common language, between humans and animals, between the real and the fake, or between self-perception and external appearance.
As TRA-TRAVEL:
As a co-founder of TRA-TRAVEL an artist hub in Osaka, I co-curate exhibitions, run an online art school, and coordinate international artist residencies and talks. I see it as an extension of my own practice—an experiment in how people connect, mis/communicate, and create across differences.
As a Person:
My CV lists past “official” events. But I feel that what has actually shaped me more are the personal encounters: my teacher from fashion college, a monk who taught at my Buddhist high school, the American guys who stayed at my childhood home for 10 years, my wife, my kids, friends, ex-friends, ex-enemy, someone I met who was sitting next to me on a plane, my neighbors, and my dad who passed away in 2024.
The happy fact, at least to me, is that art is a journey. Sometimes I carefully plan it, and other times I approach it spontaneously, but in the end, I hope to arrive at a place I never imagined at the start.
