Subbing The Subbing
2016 Made in Bangkok, Thailand
Work format: Video installation (Dimension variable)
Materials: 2 TVs
Introduction:
In Spain, there is a town inhabited by people with the surname Japón, which means Japan in Spanish.
400 years ago a group of Samurai traveled to Europe for some missions.
During their journey, Christianity was prohibited in Japan and some of the Samurais decided to remain to live in Spain to live as Christian. Those named Japón in the Spanish town today are regarded as possible descendants of the Samurai from history.
The work EL JAPONÉS aligns the artist himself as a “Japanese person who just came from Japan” and Mrs. Japón as a “descendant of historically the first migrant from Japan”.
The dialog itself looks like a simple praise of communication but the two juxtaposed "Japanese" people imply and ask different notions such as "nationality", "race" and "immigrant integration".
Special thanks: Mr. and Ms. Japóns whom I met in Coria del Rio
" "
2022 at Doubutsuen-mae Shopping street, Osaka, Japan / 动物园前商店街(大阪)/ 動物園前商店街(大阪)
Work format: Performance recorded with iphone screen recording / 苹果手机录屏 / iphone画面録画
Materials: tarpaulin / 防水布 / ターポリン(2000 x 3000 mm / 1750 x 1500 mm) , any monitor / 电视监视器 /モニター
Citizen(s)
2018 Made in Mine city, Yamaguchi, Japan
Work format: Video installation (Dimension variable)
Materials: Projector, 2 screens
Introduction:
Citizen(s) is a double-sided video installation about ambiguities of citizenship.
The front of the installation shows an abstract image of a person, but the back reveals that the image is actually formed from layers of different people.
When we talk about a citizen of a city, we tend to imagine a typical image of a local face, local characteristic or local identity. In reality there is no such person who represents the "standard" of a city.
The layers of images are collective interviews with citizens in a city, answering questions such as, “What kind of city is it?”, “How do you imagine the city 20 years from now?”, and so on.
Each individual context cannot be heard, as the voices are also layered, hence only some fragments of spoken words can be heard, leading to the formulation of a story about the city from those fragments.
This particular work was made in Mine city, Yamaguchi in Japan where 2 towns and 1 city were integrated into a new city, 10 years before I made this work in 2018.
The integration happened due to the current hyper depopulation in Japan, where many municipalities are suffering from an ageing population with a declining birthrate.
Since the newly merged city is still young, there is no typical 'local identity' yet. Rather a citizenship is a kind of polyphony created by ambiguous perspectives, opinions, conflicts and mutual respects.
Special thanks:
All the people in Mine city who participated in this project.
Ryo Oshima (sound edit)
Supported by:
Akiyoshidai International Artist Village